Nona Unclaimed

About

In the small Dutch town of Uden, surrounded by the sounds of her parents’ record store, Nona grew up with music as her constant companion. Whether she was playing the flute, piano, or guitar, or spending hours lost among stacks of vinyl, music was in her blood. It wasn’t long before she realized that her future lay in melodies and lyrics.

Her first steps led her to the Herman Brood Music Academy to become an artist manager, but it quickly became clear that managing artists wasn’t her calling. Instead, Nona set out to find her own voice. Together with her close friend and guitarist Steve Bradley, she performed wherever she could – in bars, at jam sessions, and even on the streets. It was in these unpolished settings that she discovered her unique sound and began crafting her own songs.

Yet, despite her growing success, Nona has remained grounded. The pandemic brought her career to a temporary pause, but it also gave her time to reflect. "I had the chance to reinvent myself," she shares. "It wasn’t just about making music anymore – it was about figuring out what I truly wanted to contribute, to the world and to myself."

Recently, Nona took on a part-time role as a Saar, helping elderly people with dementia with their daily tasks. "It might seem like a small gesture, but it gave me a sense of connection," she explains. "It reminded me how important it is to be there for others, in even the simplest ways."

This compassion has become a thread running through Nona’s music. Her songs touch on themes of personal growth, independence, and connection, striking a chord with listeners. "I want to create music that’s honest and shows that no one’s perfect," she says. "If my songs can comfort someone or make them feel less alone, then I’ve achieved my goal."