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Show · past showY2, Groningen
Fri 16 Oct

Lees meer overFri 16 Oct 17:00-20:00 opening exhibition “The Hunter, the Prey and Acceptable Fictions” with paintings of Taco Yutong Huo.[…]

About this show

Lees meer overFri 16 Oct 17:00-20:00 opening exhibition “The Hunter, the Prey and Acceptable Fictions” with paintings of Taco Yutong Huo.[…]

You are welcome at the opening of the exhibition The Hunter, the Prey and Acceptable Fictions,with paintings of Taco Yutong Huo.

The opening will be at Friday 16 October from 17:00 to 20:00.

Thereafter the exhibition can be visited on

  • Saturday 17 Oct and Sunday 18 Oct from 15:00 to 18:00
  • Friday 23 Oct from 15:00 to 20:00; this is before the concert by the French post-rock/instrumental band Drawing Hills
  • Saturday 24 Oct from 15:00 to 18:30; this is during The Silophonesessions,an open multidisciplinary jamsession

About Taco Yutong Huo

Taco (Yutong) Huo (霍禹同, b. 1993) is a Chinese painter based in the Netherlands. Drawing on his background in Biological Sciences (BSc 2016), Huo approaches culture as a metabolic system through which experience is transformed into images, rituals, residues, and symbolic forms.

His work follows the afterlife of symbols: the ways they persist, mutate, and continue to operate after their original authority has weakened.

Huo graduated at the Frank Mohr Institute in 2026.

Taco Yutong Huo about his work

For me, collapse has already happened. My painting begins after it. I paint what remains alive, what has not stopped operating. The ruins are their mother. They may once have been monuments, bodies, symbols, or landscapes; they may also be nothing more than shells left behind after repeated use. Meaning has loosened, but it has not completely disappeared. It still clings to surfaces, colours, pressure, and structure, like an illusion accepted for too long.

I am drawn to a world where illusion is fully accepted as nature, and where lies begin to take on form. Within the painting, instinct, memory, material, and authority pull at one another, yet they no longer return to a clear origin. They become ghosts within the painting, and I become its attendant. I no longer control the image. I only witness how it generates itself from its own remains.

ImportedText, image and times come from the agenda on y2.nu and were last checked on 18 Oct 2026. Links and videos in the text are turned into players, the rest of the code is left out. Is something wrong? Tell Y2.

Who made this show

Organised by Y2. Everyone on the bill links to their own page.

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